Performing tourism, staging tourism
Identifieur interne : 000929 ( Main/Exploration ); précédent : 000928; suivant : 000930Performing tourism, staging tourism
Auteurs : Tim Edensor [Royaume-Uni]Source :
- Tourist studies [ 1468-7976 ] ; 2001-06.
Descripteurs français
- Wicri :
- topic : Identité nationale, Vie sociale, Tourisme.
English descriptors
- KwdEn :
- Backpacker, Bannockburn heritage centre, Braveheart, Common sense, Contingent process, Cultural intermediaries, Cultural power, Cultural studies, Edensor, Enactions, Everyday life, Habitual performance, Heritage sites, Improvisation, Improvisational performances, Involuntary performances, John urry, Leisure activities, Mahal, Manor house, Mediatized spaces, Much tourism, National identity, Normative, Package tourists, Particular contexts, Particular roles, Particular stages, Performative, Planet hollywood, Prime site, Public space, Reflexive, Reflexive awareness, Rock circus, Rojek, Rough guide, Routledge, Same stage, Sensual qualities, Social life, Social performance, Staffordshire university, Such spaces, Sugar beach, Television dramas, Theatrical spaces, Tourism, Tourism research, Tourist, Tourist gaze, Tourist performance, Tourist performances, Tourist practices, Tourist product, Tourist roles, Tourist sites, Tourist space, Tourist stages, Tourist studies, Tourist workers, Unreflexive, Unreflexive assumptions, Unreflexive ways, Western tourists.
- Teeft :
- Backpacker, Bannockburn heritage centre, Braveheart, Common sense, Contingent process, Cultural intermediaries, Cultural power, Cultural studies, Edensor, Enactions, Everyday life, Habitual performance, Heritage sites, Improvisation, Improvisational performances, Involuntary performances, John urry, Leisure activities, Mahal, Manor house, Mediatized spaces, Much tourism, National identity, Normative, Package tourists, Particular contexts, Particular roles, Particular stages, Performative, Planet hollywood, Prime site, Public space, Reflexive, Reflexive awareness, Rock circus, Rojek, Rough guide, Routledge, Same stage, Sensual qualities, Social life, Social performance, Staffordshire university, Such spaces, Sugar beach, Television dramas, Theatrical spaces, Tourism, Tourism research, Tourist, Tourist gaze, Tourist performance, Tourist performances, Tourist practices, Tourist product, Tourist roles, Tourist sites, Tourist space, Tourist stages, Tourist studies, Tourist workers, Unreflexive, Unreflexive assumptions, Unreflexive ways, Western tourists.
Abstract
This article explores the metaphor of performance to investigate how tourism can be conceived as a set of activities, imbricated with the everyday, whereby conventions are reinforced and broken. By looking at the contexts in which tourism is regulated, directed and choreographed or, alternatively, is a realm of improvisation and contestation, I will consider the constraints and opportunities which shape the ways in which tourist space (here considered as ‘stages’) and performance are reproduced, challenged, transformed and bypassed. A range of examples will be used to exemplify the ways in which tourism is staged and performed. I will also focus on how the global proliferation of tourist practices and attractions acts to theme tourist space in highly commodified ways and simultaneously decentre normative modes of performing tourism.
Url:
DOI: 10.1177/146879760100100104
Affiliations:
Links toward previous steps (curation, corpus...)
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- to stream Istex, to step Curation: 000E31
- to stream Istex, to step Checkpoint: 000716
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- to stream Main, to step Curation: 000929
Le document en format XML
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<term>Cultural intermediaries</term>
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<term>Cultural studies</term>
<term>Edensor</term>
<term>Enactions</term>
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<term>Habitual performance</term>
<term>Heritage sites</term>
<term>Improvisation</term>
<term>Improvisational performances</term>
<term>Involuntary performances</term>
<term>John urry</term>
<term>Leisure activities</term>
<term>Mahal</term>
<term>Manor house</term>
<term>Mediatized spaces</term>
<term>Much tourism</term>
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<term>Rough guide</term>
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<term>Tourist product</term>
<term>Tourist roles</term>
<term>Tourist sites</term>
<term>Tourist space</term>
<term>Tourist stages</term>
<term>Tourist studies</term>
<term>Tourist workers</term>
<term>Unreflexive</term>
<term>Unreflexive assumptions</term>
<term>Unreflexive ways</term>
<term>Western tourists</term>
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<term>Bannockburn heritage centre</term>
<term>Braveheart</term>
<term>Common sense</term>
<term>Contingent process</term>
<term>Cultural intermediaries</term>
<term>Cultural power</term>
<term>Cultural studies</term>
<term>Edensor</term>
<term>Enactions</term>
<term>Everyday life</term>
<term>Habitual performance</term>
<term>Heritage sites</term>
<term>Improvisation</term>
<term>Improvisational performances</term>
<term>Involuntary performances</term>
<term>John urry</term>
<term>Leisure activities</term>
<term>Mahal</term>
<term>Manor house</term>
<term>Mediatized spaces</term>
<term>Much tourism</term>
<term>National identity</term>
<term>Normative</term>
<term>Package tourists</term>
<term>Particular contexts</term>
<term>Particular roles</term>
<term>Particular stages</term>
<term>Performative</term>
<term>Planet hollywood</term>
<term>Prime site</term>
<term>Public space</term>
<term>Reflexive</term>
<term>Reflexive awareness</term>
<term>Rock circus</term>
<term>Rojek</term>
<term>Rough guide</term>
<term>Routledge</term>
<term>Same stage</term>
<term>Sensual qualities</term>
<term>Social life</term>
<term>Social performance</term>
<term>Staffordshire university</term>
<term>Such spaces</term>
<term>Sugar beach</term>
<term>Television dramas</term>
<term>Theatrical spaces</term>
<term>Tourism</term>
<term>Tourism research</term>
<term>Tourist</term>
<term>Tourist gaze</term>
<term>Tourist performance</term>
<term>Tourist performances</term>
<term>Tourist practices</term>
<term>Tourist product</term>
<term>Tourist roles</term>
<term>Tourist sites</term>
<term>Tourist space</term>
<term>Tourist stages</term>
<term>Tourist studies</term>
<term>Tourist workers</term>
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<front><div type="abstract" xml:lang="en">This article explores the metaphor of performance to investigate how tourism can be conceived as a set of activities, imbricated with the everyday, whereby conventions are reinforced and broken. By looking at the contexts in which tourism is regulated, directed and choreographed or, alternatively, is a realm of improvisation and contestation, I will consider the constraints and opportunities which shape the ways in which tourist space (here considered as ‘stages’) and performance are reproduced, challenged, transformed and bypassed. A range of examples will be used to exemplify the ways in which tourism is staged and performed. I will also focus on how the global proliferation of tourist practices and attractions acts to theme tourist space in highly commodified ways and simultaneously decentre normative modes of performing tourism.</div>
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